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IBC An abbreviation of inside back cover, the reverse side of the back cover of a book, magazine, booklet, etc.See also DUST JACKET IFC PAPERBACK COVERS

ICON A miniature image, picture, or other representation used to indicate an object, idea, function, or action. Icons are used in Windows and other graphical user interfaces to indicate utility functions, files, folders, or commands on computer screens. By selecting the icon with a mouse or, or other pointing device, and clicking on it, it can be activated to produce a preprogrammed result. In printed materials, icons are sometimes used to designate chapters or to identify particular material (e.g. a list of telephone numbers introduced by an image of a phone). See also END-ICONS IMAGE

ICONOGRAPHY Symbolic representation. A representation, or group of representations, of a person, place, or thing. The study or analysis of subject matter and its meaning in the visual arts. Iconology. Also, the art of illustrating by symbols or images. See also SYMBOL

IDIOM An expression whose meaning cannot be concluded from the normal meanings of its words that comprise it or from the rules of grammar of the language. Examples of idioms used in North America include bust or flat broke, flush, pushing up daisies, and give me a break.

IFC An abbreviation of inside front cover, the reverse side of the front cover of a book, magazine, booklet, etc. See also DUST JACKET IBC PAPERBACK COVERS

ILLUMINATED A term that describes a manuscript or book that is decorated with initial letters, ornamental letters, designs, colored illustrations, or gilded or hand-painted elements. This was a feature of printed books and old manuscripts..See also ANTIQUARIAN ARCHAISM BRONZING GILT TOP INITIAL CAP ORNAMENT

ILLUSTRATION In publishing, a photograph, cartoon, diagram, drawing, or other illustrative artwork that supplements printed text. Payment for illustrations is normally separate from, and additional to, a manuscript. See also BALLOON FIGURE GRAPHIC ORIGINAL ART

IMAGE A term used in reference to type, illustration, graphic element, or any other original, as reproduced on film, printing plate, or paper, or the digitized representation of such in computer memory for display on a computer monitor or output onto paper or film. See also DIGITAL IMAGE GRAPHIC ICON ILLUSTRATION IMPRESSION CYLINDER VIGNETTE WALK-OFF WASHED OUT

IMAGE AREA That portion of paper, which may be printed. The image area of a page that is bordered by margins, non-image areas. See also MARGIN TEXT BLOCK

IMAGE ASSEMBLY The process of stripping negative line and halftone film, by conventional or electronic means, in agreement with the layout, and imposing pages on press sheets or signatures before the platemaking stage. Another term for stripping. See also HALFTONE LAYOUT IMPOSE SIGNATURE STRIPPING

IMAGE EDITING The process by which photographs and graphics are changed (cropped, enlarged, reduced) and manipulated. This is often accomplished using a software application, such as Adobe Photoshop. See also BITMAPPED GRAPHIC GRAPHIC MASK RETOUCHING

IMAGE EDITOR In desktop publishing, a term descriptive of an application used to enhance a bit-mapped image of a photograph, graphic, text, or other material. See also BITMAP EDITING

IMAGE ENHANCEMENT Electronic functions that highlight or lend emphasis to an image or a part thereof. These may include enlargement, highlighting, shading, or coloring. See also IMAGE PROCESSING COLOR CORRECT

IMAGE PROCESSING A term used in graphics to describe the the use of a computer to enhance, embellish, or refine a digitized image. This may include cropping the image, modifying its colors, enhancing or reducing the contrast, outlining objects and/or altering areas of underexposure or overexposure. See also DIGITAL IMAGE IMAGE ENHANCEMENT

IMAGERY Rhetorical images. Figurative descriptions or illustrations using metaphors, similes, or other methods of description. See also FIGURE OF SPEECH METAPHOR SIMILE

IMAGESETTER A high resolution, professional typesetting device used in desktop publishing to transfer camera-ready text and artwork from computer files directly onto paper, photographic film, or printing plates. Imagesetters print at high resolution (300 to 2400 dpi and typically in excess of 1,000 dpi). They are usually PostScript-compatible. See also DOTS PER INCH HIGH RESOLUTION POSTSCRIPT TYPESETTER

IMAGESETTING The outputting of pictures onto photosensitive film or paper. Another term for phototypesetting. Today's imagesetters not only set type, but also set images and graphics by use of PostScript. Although most imagesetters were designed to be used in digital pre-press work, they can reproduce color photographs and graphics in great detail. The primary advantage of an imagesetter over a laser printer is that it prints at between 1200 and 5000 dots per inch in comparison to 300-600 for laser printers. Imagesetters also can output directly to film and at much larger sizes. See also IMAGESETTER PREPRESS POSTSCRIPT TYPESETTING

IMAGE SHADOW That point or area of an image that has the greatest density. The darkest areas of an image. See also DENSITY SHADOW

IMAGEWRITER A term used in reference to any of the line of dot-matrix printers offered for the Macintosh computer. LaserWriters are the laser printers that were developed for the Macintosh. See also DOT-MATRIX PRINTER LETTER QUALITY (LQ) PRINTER

IMAGING A term for the process of using an output device to produce a copy of a digital file on paper or film. .See also DIGITAL FILE OUTPUT

IMPACT PRINTER Any of the various personal computer-driven printers, which form characters on paper like a typewriter by striking the page with something solid. For example, a dot-matrix printer uses arrays of needles to make direct contact with the printing ribbon and print the image. Dot-matrix printers, daisy-wheel printers, and line printers are impact printers, whereas laser and ink-jet printers are non-impact printers. Although relatively inexpensive, impact printers are slower and noisier than nonimpact printers. However, they are necessary for printing multipart forms, such as invoices. See also CLOTH RIBBON DAISY-WHEEL PRINTER DOT-MATRIX PRINTER INK-JET PRINTER LASER PRINTER LINE PRINTER NON-IMPACT PRINTER PRINTER

IMPORT To load a file created by one computer program into a different program. Also, to bring information into the current program from a different location. The ability to import data enables software applications to complement each other. Many programs can import text and graphics in several different file formats. Importing is a type of file conversion. As a result, some image detail and formatting may be lost in the process. The opposite of importing is exporting. See also EXPORT FILTER FORMAT

IMPOSE To lay out and arrange pages on a large sheet so as to satisfy the requirements of the printing, folding, and binding operations. See BINDING IMAGE ASSEMBLY IMPOSITION PRINTER'S SPREAD

IMPOSITION The arrangement of pages on a printed sheet that, after the sheet has been printed on both sides, folded and trimmed, will leave the pages in correct sequence. The page layout on the sheet that will determine the sequence of each numbered page once the sheets have been printed, folded, and trimmed. Imposition is also called press layout. Ir is a general term for how a printer positions the images on a press-sheet. A head-to-head imposition is an assembly on the sheet in which the top of each page butts up against the top of another. A head-to-tail imposition is an assembly in which the top of the page and the bottom of another butt. See also FOUR UP GANG PRESS SHEET PRINTER'S SPREAD SIX UP STEP-AND-REPEAT UP

IMPRESSION The image created by the pressure of a printing plate, blanket, die, or a cylinder or type, as it comes into contact with the paper (or other substrate). See also KISS IMPRESSION UP

The term is also used to denote all copies of a book printed during one press run. For example, some publishers use the terms first Impression, second Impression, etc., instead of first printing, second printing, etc. Impression was synonymous with edition during the period of the handpress, when type was reset for each printing. See also EDITION

IMPRESSION CYLINDER The cylinder of a printing press, which carries the printing plate or printing blanket. The impression cylinder presses the printing plate or blanket against the paper in order to transfer the image to the paper. See also BLANKET IMAGE PRINTING PLATE

IMPRIMATUR A Latin term for Let it be printed. Official approval or license to print and publish a book, especially a license issued by a censor of the Roman Catholic Church.

IMPRINT The name of the publisher under which a title is issued. Increasingly in publishing the term represents a publishing brand, rather than a company name, under which a group or series of books are marketed over a long period of time. Some publishers have more than one imprint. The word, imprint, is also used in reference to the publication data located at the base of a title page. These details include the city of publication, the printer's name and address, quantity printed, month/year of printing and an internal control number. In addition, the term means to print new copy on a previously printed piece by running it through a press again, such as imprinting an employee's name on business cards. Also called surprint. See also HALF TITLE SURPRINT TITLE TITLE PAGE

INDENT To set in or back from the margin, as exemplified by the space left at the beginning of the first line of a paragraph. To displace the left or right edge of a block of text from the margin, or from other text. The most common indent is formed at the beginning of a paragraph when the first line is set-in from the left edge of the text block. However, an indent can also be created on both sides of copy if it is decided to set a block of text apart from the rest of the paragraph. For example, indented margins are sometimes used to highlight a particular passage. This is termed a left/right indent. When the first line begins at the margin, but successive lines of the paragraph are indented, often used in bulleted lists, the term applicable is a hanging indent. See also BULLET LIST HANGING INDENT MARGIN

INDENTATION The alignment of a paragraph to the right (or left) of the document margins. The setting of a line of text in, or back from, the margin. This is often done at the start of a paragraph, or when constructing a bulleted list, or to set off a particular passage of text. Unless advised differently, a typesetter will usually indent a paragraph by one em. See also BULLET LIST EM INDENT MARGIN PARAGRAPH

INDEX A detailed alphabetical list in the back matter of a book that contains the key words and concepts appearing in the text and the number of the page on which each entry is found. Many word processing and page layout programs can create indexes. The process is not completely automatic as someone must indicate or specify the words to be indexed. See also BACK MATTER FRONT MATTER PAGE LAYOUT PROGRAM WORD PROCESSING SOFTWARE

INDIA INK A black ink used for drawing and preparing artwork. India ink is a liquid ink made from lampblack and glue or size. It is also known as Chinese ink. See also INK SIZE

INDIA PAPER A very thin, strong, opaque paper possessing a fine printing surface. It is less brittle than ordinary paper and will not break if creased repeatedly. India paper is the best grade of fine white paper and is frequently used in Bibles and dictionaries. See also OPAQUE PAPER

INDICIA The preprinted mailing permit information required by the U.S. Postal Service on an envelope in place of a stamp. It indicates that postage has been paid by the mailer. An indicia replaces the stamp or regular cancellation in a large mailing. See also BUSINESS REPLY MAIL MAILER

INFERIOR CHARACTER Another term for subcript or interior figure. See CHARACTER SUBSCRIPT

INFRINGEMENT A breach or violation, as of an infraction of the rules, a law, or a right. In publishing, the term most commonly describes the act of reproducing by one person, in whole or in part, a work copyrighted by another person without the permission of the copyright owner. See also COPYRIGHT FAIR USE RIGHT UNAUTHORIZED EDITION

IN HOUSE A term used in reference to any function or activity performed within a company, rather than by a supplier or outside contractor. In publishing, for example, it applies to any design work, photography, or writing that is done by a company's staff, instead of being assigned to freelancers. See also HACK FREELANCER IN HOUSE PRINTER

IN-HOUSE LIST A list compiled by a company of the names, addresses, and/or telephone numbers or e-mail addresses, etc., of its customers. See also FRIENDS OF THE HOUSE HOUSE ORGAN MAILING SERVICE

IN HOUSE PRINTER A department of a corporation, agency, or association that does the printing for its parent organization. Also termed in-plant printer or captive printer. See also IN HOUSE

INITIAL BASE FONT The base font that was originally established for a word processing program or the printer installation. The font that a word processing program uses for all documents unless one changes it. The initial base font may changed if one selects a different printer. See BASE FONT DEFAULT FONT

INITIAL CAP In typography, an enlarged capital letter, often decorated, at the beginning of a chapter or paragraph, which rises above the first line. Its base is aligned with the baseline of the first line of text. Such initials may also be called raised initials. Medieval scribes used initials as decorative trimmings on the page, often coloring or gilding them. They were normally used to mark the beginning of a chapter. The contrast of the size and blackness of the initial with its background attracts the reader's attention. See also BASELINE DROP CAP ILLUMINATED INITIAL X-HEIGHT

INK A fluid or paste of various colors, but usually black or dark blue, used for writing and printing. It is composed of a pigment or dye dissolved or dispersed in a liquid called the vehicle and modifiers. The vehicle is an oil-based liquid, such as linseed oil, cottonseed oil, soybean oil, and litho varnish. Colored pigments are made from mineral compounds, such as zinc oxides. Black pigments are made from oil and natural gas. The modifiers in ink are substances, such as driers, waxes, and greases that are added for specific purposes. Driers help ink to dry quickly. Waxes prevent the migration of ink to the back of the sheet above. Greases reduce stickiness and accelerate the drying and setting of ink. Each printing process has its own inks. See also BITE BODY CHALKING DRIER FOUNTAIN CYLINDER GLOSS INK INK MIST INDIA INK INK FOUNTAIN INK MIST INKOMETER LONG INK MAGNETIC INK METALLIC INK OPAQUE INK PIGMENT PILING SCUM SETOFF SHORT INK SLUR TACK TRANSPARENT INK VEHICLE VISCOSITY

INK CARTRIDGE A term used in reference to the disposable component of an ink-jet printer, which contains the ink. See also CARTRIDGE INK-JET PRINTER

INK FOUNTAIN A term to denote the reservoir, which holds the ink or varnish on a printing press and continuously supplies it to the inking roller. See also FOUNTAIN CYLINDER INK

INKJET PRINTER A general designation for nonimpact printers that form characters by means of a fine spray of tiny droplets of electrostatically charged ink through tiny nozzles in the print head at precise locations on the paper. An inkjet printer provides an alternative to laser printers. The quality and speed of an inkjet printer are greater than that of a dot-matrix printer. However, the inkjet is slower than a laser printer. Nevertheless, it provides high resolution, has good speed, and operates quietly. Some color inkjet printers are able to print near-photo-quality pictures if special plastic-coated paper is used. See also BUBBLE-JET PRINTER HEWLETT PACKARD NONIMPACT PRINTER PRINT HEAD RESOLUTION

INKOMETER An electronic device that measures the tackiness, or cohesion, of printing inks. It enables one to compare different inks in order to evaluate them, in addition to maintaining quality control of press production. See also INK QUALITY CONTROL TACK

INK MIST The mist of minute ink particles created during printing. Ink mist tends to collect on the press, the surrounding floor, and everything near the press. The pickup and distribution rollers are responsible for most of the ink mist. See also CLEAN UP INK LONG INK WASHUP

INLINE In typography, a reference to any character or symbol placed within, or directly adjacent to, lines of text. See also CHARACTER FLOATING GRAPHIC INLINE GRAPHIC SYMBOL

IN-LINE FINISHING In publishing, a term used in reference to binding and finishing operations, which have been integrated with the printing operation to form one continuous operation that begins at the printing press and ends with the finished publication. Inline finishing includes trimming, slitting, and all other finishing operations. See also BINDING FINISHING OPERATIONS

INLINE GRAPHIC Any graphical image located within a line of text. See also GRAPHIC

IN-LINE POSITION A term to describe the alignment of an image that prints in the direction of paper movement through the printing press IMAGE .POSITIONING

IN PRINT A term applicable to books or other publications, which are presently available from their publishers. They are in stock. See also BOOKS IN PRINT OUT-OF-PRINT

INPUT DEVICE Any device or equipment, such as a keyboard, scanner, or bar-code reader, which is used to enter alphanumeric or graphic information into a computer system. It accepts input from a user and converts it into a form that the computer can process. An output device does the reverse. See also ALPHANUMERIC BARCODE READER KEYBOARD MOUSE OPTICAL CHARACTER RECOGNITION QUERTY KEYBOARD SCANNER TRACKBALL

INSCRIBED A term to describe a book that bears a handwritten and signed statement, often located on the end paper or title page and usually written to a designated person(s). Unless otherwise advised, it is assumed that the author was the one who inscribed the book. The inscription is called a presentation inscription, if the author wrote it to increase the book's appeal for use as a gift from either the publisher or himself. See also BOOK

INSERT To position an object between two other objects. Words, characters, and paragraphs are frequently inserted into one's current work in word processing. In publishing, insert refers to a printed advertisement, illustration, map, fold-out, order form, or other special material, which does not form part of the original publication, but is subsequently bound into the book, publication, or printed pierce. The insert may be several pages in length. In direct mail and mail order, insert describes any item, such as a brochure or pamphlet, included in a direct mail package. See also BROCHURE PAMPHLET TIP-IN

INSERTION ORDER A purchase order for advertising space given by an advertising agency (or advertiser) when placing advertising in a specific issue(s) of a newspaper, magazine, or other printed publication. See also PURCHASE ORDER

INSIDE MARGIN The space between the text and the binding edge of the page. The inside margin is also called the gutter. See GUTTER MARGIN

INTAGLIO PROCESS Any of the printing techniques based on use of a plate on which an image has been engraved, etched, or pitted. The plate is covered with ink and then wiped clean, leaving ink in the etched or engraved lines or areas of the image. During printing, moistened paper is forced down into these areas of the plate, and the image is transferred to the paper. See also ENGRAVING ETCH GRAVURE PRINTING PRINTING PLATE ROTOGRAVURE

INTEGER A whole number, whether positive or negative, such as 0, 1, 2, 3, 4, etc. The term doers not apply to a fraction or a mixed number. If a number contains decimal places, integer applies only to those numbers on the left of the decimal point. See also CHARACTER NUMERIC KEYBOARD

INTELLECTUAL PROPERTY Ideas, in addition to the tangible expression of them, constitute the product of an individual's intellectual efforts. Intellectual property includes, but is not limited to, ideas; literary works (art and music); patents (inventions and processes); trade secrets (recipes, code, and processes); and names, trademarks, and logos (companies and products). The product of human intelligence is deemed to be original, have value in the marketplace, and deserve protection under the law. Accordingly, copyrights and patents receive protection. See also COPYRIGHT RIGHT TRADEMARK

INTERCAP A capitalized letter that appears in the middle of a word. The S in PostScript is an example of an intercap. Sometimes, a company that has used an intercap in its trademark will argue that the correct spelling of its trademark requires the capitalization. However, this is not accepted by all. See also POSTSCRIPT TRADEMARK

INTERCHARACTER SPACING An alternate term for letterspacing. See LETTERSPACING

INTERLEAVED A term descriptive of a book into which blank leaves have been inserted between the regular printed leaves. Also, book in which blank leaves alternate with the printed leaves. Finally, a book into which blank pages have been inserted for notes or written comments. See also BLANK BOOK LEAF

INTERNAL FONT Another term for resident font. See RESIDENT FONT

INTERNAL LEADING The amount of space within the leading that is reserved for glyph features, which rest outside of the EM square, such as accents. See also ACCENT EM GLYPH LEADING

INTERNATIONAL PAPER SIZES The International Standards Organization (ISO) system of paper sizes. It is based on a series of three sizes A, B and C. Series A is used for general printing and stationery, Series B for posters and Series C for envelopes. The standard sizes are used throughout the world, except for the United States. The International Standards Organization (ISO) administers the standards. They formerly were a German industrial standard known as DIN (Deutsche Industrie Norm).

Each size is one half of the next larger size. (AO paper has an area of one square meter.) All sizes have the same height-to-width ratio of 1.414:1. The best known size is A4. The dimensions of the A sizes of sheets of paper appear below. See also CUTSTOCK

  • A0 841 mm × 1189 mm or 33.11 ins. × 46.91 ins.
  • A1 594 841 23.39 33.11
  • A2 420 594 16.54 23.34
  • A3 297 420 11.69 16.54
  • A4 210 297 8.27 11.69
  • A5 148 210 5.83 8.27
  • A6 105 148 4.13 5.83
  • A7 74 105 2.91 4.13
  • A8 52 74 2.05 2.91

INTERNATIONAL STANDARD BOOK NUMBER (ISBN) In bibliography, a unique ten-digit number assigned before publication to each edition of each book published that identifies each work's national geographical or language grouping, its publisher, title, edition. binding, and volume number of every book published in every country using the system.

Every ISBN consists of ten digits and is preceded by the letters ISBN whenever printed. The number consists of a language/country prefix (0 or 1 for the English language), followed by a publisher prefix, a number relating to the individual title and edition, and finally a check digit - a single digit at the end of the ISBN that validates the ISB. It customarily appears as a bar code printed on the back of the book and normally appears also in the bibliographical details on the reverse of the title page. Bar code scanning is used by the major bookstore chains in North America for books and related items. The ISBN is for intended for publications that are not intended to continue indefinitely. It is not issued for serials. The ISBN is the book counterpart to the ISSN.

The ISBN is part of the International Standard Bibliographic Description (ISBD), which was prescribed by a UN-sponsored International Organization for Standardization. It was adopted in 1969. The ISBNs are assigned by designated national standard book numbering agencies, In the United States, this is R.R.Bowker. When a publisher applies to Bowker for an ISBN number, it is provided a computerized list of ISBN numbers sufficient for the present and future editions of the book. Once ISBNs have been assigned to products, publishers report this to R.R. Bowker. Publishers are eligible to receive free listings in various directories, such as Books in Print, Words on Cassette, The Software Encyclopedia, and Bowker's Complete Video Directory. An ISBN should be assigned to each title or product, including hardcover, paperback, video, audio, laser disc, e-book, etc.). A new ISBN is required for a revised edition or even a different binding. Each format or binding must have a separate ISBN The assigned ISBNs are listed in Publishers, Distributors, & Wholesalers of the United States and Literary Market Place.

There are instances in which a publication would be assigned both an ISBN and ISSN number. Both numbers are used for annuals, biannuals, and books in a series. In such cases, the ISBN identifies the individual book in the series (or specific year), whereas the ISSN identifies the ongoing series of books (or annuals or biennials). When a publication has both, each are printed on the copyright page. See also BARCODE READER BISAC ISBN AGENCY STANDARD ADDRESS NUMBER

INTERNATIONAL STANDARD SERIAL NUMBER (ISSN) An 8-digit number assigned by the Library of Congress in Washington, DC, to magazines, newsletters, catalogues, books published in a series, and other serials, on request. It is a standardized international identification code for serial publications and is the equivalent of the ISBN for the magazine and journal publishing industry. The ISSN differentiates a serial from others with which it could be confused, regardless of language or country in which it was published. Unlike the ISBN, the ISSN does not indicate characteristics, such as subject, language, or publisher. The ISSN is used by librarians, publishers, authors, and others who handle large numbers of serials to find and identify titles in automated systems quickly and easily for administration, ordering, and inventory control. The ISSN was developed by the International Organization for Standardization Technical Committee, a United Nations agency. Numbers are assigned by more than 60 centers throughout the world and coordinated by the ISSN International Center in Paris.

An ISSN is assigned to an entire serial and remains constant from issue to issue, unless the title of the issue (except for date) changes. However, a title published in different languages, regional editions, or forms (e.g., print, electronic) will require a separate ISSN number for each edition. The upper right-hand corner of the cover of a printed serial is the preferred location for the ISSN. However, it may appear in the masthead area, the copyright page, or the section in which information about the publisher, frequency, etc., is provided.

The ISSN is used in several bar codes as title identifier. The SISAC code is one such code. It appears on scholarly, technical, and other subscription-based serials and is used by libraries and related organizations. Another such code is the EAN (International Article Number), which is used in the U.S. by major bookstore chains for trade and other book publications.

There is no relationship between copyright and ISSN. The possession of an ISSN confers no copyright protection. Similarly, there is no relationship between ISSN and Cataloging in Publication. Cataloging in Publication information is only available for books. Consequently, a publication will not normally qualify for both Cataloging in Publication and ISSN. An exception would be an individual book within a series of books. Finally, there is no relationship between ISSNs and Preassigned Control Numbers. See also BISAC CATALOGING-IN-PUBLICATION COPYRIGHT PAGE LIBRARY OF CONGRESS SERIAL

INTRODUCTION An optional element for the front matter of a book. Although the author usually writes the introductions and another expert or well-known person writes the forwards, another person may write the introduction. His comments provide an endorsement of the author's work. His credentials and praise will increase respect for the book even before it is read. An introduction sometimes outlines the important concepts contained in the book or summarizes the content, refers to key technology, etc. See also FOREWORD FRONT MATTER OPINION L:EADERS

INVASION OF PRIVACY In writing and publishing, the phrase refers to writing about someone without his or her prior consent, regardless of whether or not the writing is factually accurate. See also UNAUTHORIZED EDITION

INVENTORY Goods or materials on hand for sale or use in the manufacturing of goods. The value of a corporation's inventory appears as a current asset on the balance sheet. It is sum of the value of inventories of raw materials and packaging materials, as well as finished goods and work-in-process. Inventory is usually valued at its cost or market price, typically the lower of the two figures. If cost is used, it may be derived by the LIFO or FIFO method, or represent average cost. In the publishing industry, a firm's inventory includes finished books ready for sale, unbound books, paper, inks, binding materials, and other supplies, etc. See also FINISHED GOODS PALLET SKU STOCK WORK-IN-PROCESS

INVERSE LANDSCAPE MODE A landscape mode that has been rotated by 180 degrees. Also called tumble landscape. See LANDSCAPE ORIENTATION

INVERSE PORTRAIT MODE A portrait mode that has been rotated by 180 degrees. Also called tumble portrait. See PORTRAIT ORIENTATION

INVERSE VIDEO The display of characters in reverse on a screen (i.e., white on a dark background instead of dark on a light background) in order that they are more easily legible. Inverse video is also termed reverse video. See also REVERSE

INVERT To convert an image into a photographic negative in which black is substituted for white, white is substituted for black, and colors are replaced by their complements. Also, to change to the opposite or turn upside down, as in inverting an image. See also NEGATIVE POSITIVE

INVISIBLE WATERMARK A code embedded in a picture in order to carry copyright or other information, and not visible when held to the light. An invisible watermark is fainter than a normal watermark on paper. It involves a slight change in contrast throughout large portions of the picture. However, an invisible watermark can be retrieved by appropriate software even if it was printed over. See also EMBEDDED COMMAND WATERMARK

INVOICE A bill. A dated and detailed list of goods (or services) provided, along with quantities, prices, terms of payment, allowances, net amount due, delivery date, and other information, concerning an individual shipment by the supplier. See also BILL OF LADING ORDER PROCESSING PURCHASE ORDER STATEMENT

INVOICE SYMBOLS Symbols often used by publishers as shorthand on their invoices: Some common ones are:

  • B.O. back order
  • C, CC order canceled
  • C.W..O. cash with order
  • E.O.M. end of month
  • FOB free on board
  • NE, NEP new edition pending
  • N.O.P. not our publication
  • N.Y.P. not yet published
  • O.C. order canceled
  • O.P. out of print
  • O.S. out of stock
  • O.S.I. out of stock indefinitely
  • T.O.S. temporarily out of stock

IRONY The utterance, or use, of words to express something that differs from, and is often the direct opposite of, their literal meaning. A. figure of speech, or mildly sarcastic or humorous use of words, to imply the opposite of the literal meaning. See also FIGURE OF SPEECH LITERAL UNDERSTATEMENT PARODY SATIRE

ISBN See INTERNATIONAL STANDARD BOOK NUMBER

ISBN AGENCY The agency responsible in the United States for assigning the ISBN Publisher Prefix to publishers, which have a residence or office in the U.S. and publish their titles within the U.S. is:

U.S. ISBN Agency
121 Chanlon Road
New Providence, NJ 07974
Tel. 877-310-7333

The agency allocates and assigns publisher prefixes that are unique to each publisher. It supplies a list of Bookland EAN Bar Code Film Master Suppliers and hyphenation instructions and information on other related resources, including Cataloging in Publication program (CIP), Library of Congress Catalog Control Number (LCCN), International Standard Serial Number (ISSN), PUBNET, and the Book Industry Study Group (BISG). The agency encourages the use of the ISBN for proper bibliographic listing in Books in Print, Forthcoming Books and other directories. It also maintains an up-to-date and comprehensive listing of all U.S. Publisher Prefix assignments for inclusion in the Publishers, Distributors & Wholesalers of the United States and the Publishers' International ISBN Directory. See also R.R. BOWKER COMPANY ISBN

ISSUE A portion of an edition printed or published intentionally in a distinct form that differs from the rest of the printing in the paper, binding, format, etc. An issue is the printing of copies of a work from its original printing plates with some slight changes. See also EDITION FIRST EDITION FIRST THUS REISSUE THEME ISSUE VARIANTS

ISSUE DATE In publishing, the year, month, or date on which a newspaper, newsletter, or other publication was put into circulation (delivered, mailed, etc.). See also PUBLICATION DATE

ITALIC A script-like typeface, in which characters are evenly slanted to the right to resemble handwriting. Italic provides a greater calligraphic feel than its vertical roman typeface counterpart. Most roman typefaces have a corresponding italic face. However, true italics are more than a slanted version of a roman typeface. A true italic typeface is designed separately to complement the roman version. It often has one or more character shapes that differ from those in the roman font. The italicized versions of roman fonts produced by digitized typesetting technology use the roman characters and merely slant them 10-15 degrees to the right. Such slanted versions of roman fonts have no special shapes and are not true italics. Accordingly, they are often termed oblique. (cursive in some countries).

Although designed in 1500 or earlier, the first notable use of italic was by a printer, Aldus Manutius, in Venice in 1501, who needed a typeface that would enable him to fit more characters onto a page than was possible with the roman faces available. Francesco Griffo, his typesetter, designed the type, which reflects the graceful handwriting of Italy. He cut it in lowercase letters, which he combined with a roman capital. Subsequently, a sloping uppercase face, intermediate between a roman and a fully developed italic uppercase letter, was introduced. During the following years, italics became, along with roman and black letter shapes, one of the three most important typefaces in Western printing's history. Although italics was a family of its own, the term has come to be used today almost entirely to denote a variation in posture, that is an option of roman letters.

Italics are often used for quotations, foreign words, citations, technical words, titles of books and articles, and emphasis. The effect of italic type corresponds to that obtained by underlining text. This clause is set in roman, whereas this clause is set in italics. See also BLACK LETTER EMPHASIS FONT FONT FAMILY OBLIQUE ROMAN

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